I just couldn’t miss this great opportunity to dive in the memories of my family town – Krakow (‘Cracow’ as it is misspelled sometimes).
The annual, intensely energetic festival of theatrical performances – the “Divine Comedy” hosted by Krakow’s stages has made the arts news in the Irish leading newspaper. In the recent edition of the “Irish Times” Peter Crawley reports from Poland in all the acclaiming terms, tinting the relation with a bit of jealously (‘why something similar cannot be done here, in Ireland?’ – one can read between the verses).
To emulate the success of the cultural event is equally difficult like – I guess, to gamble if a transplant will be accepted by the ‘mother’-body or not. In Krakow, as far as I can remember, there were at least three major national theaters (independent companies) functioning all year long and few minor ones – all employing the set of full-time and excellently prepared professionals – actors, directors, stage design artists and so on. To be a respected theatre personality in Poland has meant to be more than the talented painter, even some of the writers didn’t get the same devotion; some of the poets only (mainly Nobelists and other great-s) would equal or surpass the actors and directors on the Pantheon of the ‘moral’ and ‘existential’ guides. The most famous academies for the future ‘theatre people’ have got the magic aura around them; fine art centers only rarely could have matched them in the sky-high level of the artistry in their principles and the artworks produced.
Above that, Poland’s social, political and cultural life has been always evolving around the drama-comedy sweet-sour swing – it’s been full of a struggle, bloodshed, brain-washing, oddities and bizarre elements, hate and vanity – a bit like in Ireland, yet – in Poland there is ten times more hands to meet the challenge of becoming a professional playwright or a performer. Adding to it the long tradition and the comparatively recent excitement with the ‘showing Europe who we are’ (Poland joined the EU in 2005) – and you got a high-quality international festival, prepared and ‘powered’ mostly by the young generation and – what’s important – getting the claps!
Well done Krakow. Looking forward to hear more good news.
Read the original article here.