Tag Archives: humanity

Deleuze and Guattari’s flesh-appeal…

Well, these thinkers are not for faint-hearted or narrow-minded; they not even for those rebellion-minded and lion-hearted…They are someone between and beyond, the very dismissal of any signification or categorization right in the core of their beliefs…

How did I fall for D&G’s double charm? Typically perhaps – via theirs passionate pupils and followers. Manuel Delanda’s lectures at the European Graduate School (below) have slapped me right across my safe, familiar thinking waking me up to a world of another possibility – that there are still highly inspirational thoughts and theories resonating from within the contemporary philosophy – those compelling enough to alter one’s perception of things… And I thought that after Sartre’s death few decades ago it was rather impossible to experience that thrill again…

Then I started to read their whimsical yet carefully crafted theories; seasoned generously with the idiosyncratic concepts, which I could not grasp intelligibly even the half of…It took me some time to get the very principle of the philosophy – that is meant to be on the opposite of the ‘proper’ and classical reasoning, that the fact that is seems to grow in all different directions at the same time, fluctuating with co-existent possible readings – that is – what is was designed to be… Not that easily accepted for anyone nurtured on the great, perfectly logical and systematic systems of thought – if you remove one part from them – they fall; if you get one concept – others add on like letters of an alphabet…

Not in D&G’s world though – here the system is anti-hierarchical, not ABC code but rather ASDFG… riddle (letters of your keyboard, second row)… Their called it the ‘rhizomatic’ reasoning – horizontal, open and multi-centered. Just like the chosen organic structure – the thought multiplies in a semi-random pattern of many possible threads springing from the one common source; yet no one can predict which, if any of the threads will survive, or will become the satellite-wombs for another ideas to be born…

Perhaps the easier way to introduce the thought of the two French thinkers is to contra pose the old, classical concept of the ‘body’ with the one of the ‘flesh’. The Greek ‘body’ is the self-contained, dignified object of an admiration – an epitome of beauty and epiphany of the transcendent divine order – just as their thought used to be. The ‘flesh’ is more primitive and Hebrew (‘Bible’ originated) – it’s shapeless, featureless and extremely vulnerable; it’s a place of suffering and weakness – it’s extremely human – it’s so human that it becomes… animal…

D&G’s philosophy is the one of the ‘flesh’ – of a formless lack and a painful transformation, of a celebrated dis-unity and perpetual ‘becoming’. It’s a difficult, yet strangely soothing proposition for someone trying to make sense of the contemporary times…

It’s an anti-philosophy after all, if one keeps up with the rigid standards; that’s why it’s been struggling to sink into the academic grounds – right now it gets more of the deserved attention, with the esoteric texts being translated from French and commentaries being published… Still it remains mostly inaccessible in Polish ( I guess in many other languages too), too bad – over two decades after the original publications…

It’s a remotely optimistic vision for the remotely optimistic times of ours… I hope to present some of its aspects in the posts, which will follow…


Human-Animal Hybrid Prohibition Act of 2009

WASHINGTON – U.S. Senator Sam Brownback with Senator Mary Landrieu (D-LA) introduced the Human-Animal Hybrid Prohibition Act of 2009.


This legislation works to ensure that our society recognizes the dignity and sacredness of human life.

Creating human-animal hybrids, which permanently alter the genetic makeup of an organism, will challenge the very definition of what it means to be human and is a violation of human dignity and a grave injustice.

This legislation is both philosophical and practical as it has a direct bearing upon the very essence of what it means to be human, and it draws a bright line with respect to how far we can go in attempting to create new creatures made with genes from both humans and animals.(Brownback)


The Human-Animal Hybrid Prohibition Act would ban the creation of human-animal hybrids. Human-animal hybrids are defined as those part-human, part-animal creatures, which are created in laboratories, and blur the line between species. The bill is modest in scope and only affects efforts to blur the genetic lines between animals and humans. It does not preclude the use of animals or humans in legitimate research or health care where genetic material is not passed on to future generations, such as the use of a porcine heart valve in a human patient or the use of a lab rat with human diseases to develop treatments.

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The question is:

What is there exactly, that those politicians are so scared of?

What is that protected and inalienable: dignity and sacredness of human life – that human dignity – they are ready to fight for?

Just take away all the religious and – yes – philosophical life-jacket out of their reasoning…what we are left with?

A common, yet never -to -be -admitted fear of a pandemonium of being truly ‘human’ with the messed-up animal DNA?…


How is it then – are we so frail in our human identity, are we so insecure in it that we have to ban all the attempts of disturbing that ‘sacred’ purity of the dominating species?

But – if there is any system, any reality which knows only one ‘correct’ answer, only one possible scenario – is it not yet another case (or possibility, at least) of an intellectual, spiritual and – factual – dictatorship?

To dictate one and only solution to a highly intricate problem/phenomenon – this is all what this sort of politics are about…

What are they so scared of? What are we so scared of?

Ourselves?…



Human World – Sensation (1)

SENSATION
A term commonly used to refer to the subjective experience resulting from stimulation of a sense organ, for instance, a sensation of warm, sour, or green. As a general scientific category, the study of sensation is the study of the operation of the senses. Sense receptors are the means by which information presented as one form of energy, for example, light, is converted to information in the form used by the nervous system, that is, impulses traveling along nerve fibers.

Each sense has mechanisms and characteristics peculiar to itself, but all display the phenomena of absolute threshold, differential threshold, and adaptation. Not until sufficient stimulation impinges on a receptor can the presence of a stimulus be detected. The quantity of stimulation required is known as the absolute threshold. Not until a sufficient change occurs in some aspect of a stimulus can the change be detected. The magnitude of the change required is called the differential threshold. Under steady stimulation there is a decrease in sensitivity of the corresponding sense, as indicated by a shift in the absolute threshold and in the magnitude of sensation. After the stimulation ceases, sensitivity increases. An obvious example of visual adaptation occurs when one goes from bright to dim surroundings or vice versa.

With fairly good accuracy humans can localize visual objects, sounds, and cutaneous contacts and can discriminate the spatial orientation of the body and its members. With rather poor accuracy humans can localize many of the stimuli originating within the body.

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World of human sensation popularized.

Discovery documentaries: 1st  part of 48 series. Double click to access all the material.


Human vs. Animal (2)

Anthropomorphobia is the fear of acknowledging in nonhumans qualities we wish to consider only human. Anthropomorphobia is traditionally associated with anxiety responses to fictional animal characters displaying human behavior in works of fiction like “The Secret of NIMH”. However, with the development of androids and robots that mimic human behavior, the concept of anthropomorphobia has been adapted to include nonliving stimuli.

Interesting neologism with some profound possible consequences: the abject sphere of human psyche denying its roots which have been always deeply existing within the womb of Mother-Nature.

Humans excel in being humans; ‘humane’ means ‘divine’ – a step beyond this illuminated Olympian circle of ‘humanity’ – one is in a grave danger to slip into that chaotic inferno of natural world – of Beasts and Monsters, of Wild Creatures and unpredictable Elements…

Humans dread being ‘inhuman’ more than they dread being dead. There can be hardly any fear more deep-seated and penetrating and more repressed at the same time.

Yet – let’s beware my fellow human animals – ONLY what is HUMAN can be INHUMAN. In countless records – from simple myths and folk legends to complex ideologies and works of art – we are faced with the fact that the most alienating, monstrous forces are shown to reside not in some intergalactic spaces but deeply within the fabric of the human species itself…


Chaos Theory, Fractals and the complexity of existence…

I’ve promised you few notes on “Fractal Ontology”. Well, here they go…

The term bridges philosophical notion of ‘ontology’ -(Greek meaning: ‘theory/science of being’) with the phenomenon of ‘fractals’ taken from the natural sciences and maths. Going deeper – ‘fractals’ originate from the Chaos Theory, and this is where one probably should start all the explanations.

Chaos Theory is a dark horse of contemporary science. Two hundred years ago  it would be unthinkable – Newtonian perfectly organized world-view, with its deliciously logical mechanics, was too strong to allow any serious benefit of a doubt.  A hundred years ago Einstein’s genius abolished the rule of determinism, reductionism and objective knowledge in science – his contribution was so revolutionary and complex that it hasn’t been fully digested yet; practically, one can easy predict, that our 21st century would be a completely different fairy-tale if it wasn’t for that one man and his theories…

The ‘scandal’ of Chaos in science had started to develop in maths (with regular experiments being conducted in 1920s onwards), then had been followed by physics, chemistry and biology  – where scientists observed irregularities, even randomness in the dynamics of systems considered as ‘ordered’ by the traditional views. From various chemical reactions in micro and macro-cosmos to weather and climate – universe has started to display itself as – in fact – infinite chaos, rather than the absolute order, as humankind was keen to believe for ages.

In natural world, there have always existed structures and phenomena, which proved to be impossible to describe by traditional Euclidean geometry or Newtonian dynamics… Mountains ranges, clouds, coastlines, crystals, lightning, blood vessels –  boundless, captivatingly beautiful, unpredictable in its evolution though fairly self-similar, they generate themselves forever expanding accordingly to the rules, which cannot be completely captured or explained, simply because they’re no definite rules… Epitomes of Life per se – the face of Nature in its most primordial, creative and self-sustaining structure… These are FRACTALS – children of the organized chaos of the Universe. Yet “chaos” here doesn’t simply mean ‘anarchy’ but ‘a higher order’ – out of confusion and complexity life emerges as a functioning organism, it may be unpredictable and extremely sensitive to any stimulants – yet – it displays that innate tendency to form into patterns and structures – it fosters and commands order despite of all forces that act against it.

Fragmented, ‘broken’, complex, inexhaustible – this is the ‘fractal’ theory of existence (transplanting scientific concepts on the philosophical field). One of those very few examples where the nature of the human thought and the nature of the physical world interweave so closely and creatively.

Focusing on the creativity- ‘fractal’ world-view belongs to the oldest, most pre-thought, deeply spiritual as the example from the ancient “Book of Kells” (above) shows. There are many symbols and primitive art images created by ancient civilizations, which show their intuitive reading of nature as fragmented, ‘fractured’.

Picasso’s portrait of A. Vollard (above), just like many cubists works from its analytical period picture the fractal vision of reality – looks like art preceded science in its practical applications of the Chaos and Fractal Theory (though calling it with different names)… In many abstract and abstract expressionist works, from P. Klee and J. Pollock to postmodern works (look above -work from the “Fractal Gallery”), often digitally generated one can easily noticed how that chaotic, ‘broken’, non-linear (as opposed to ‘classical’ ordered) representation of reality prevails presenting itself with innovative spirit, confidence and haunting beauty.

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Note: Due to the immense complexity of the issues presented and the brief nature of blogging, one cannot consider this article as ‘informative’ in a scientific sense (due to simplifications and the fragmented outlook). Its intent is mainly that of promoting science and its theories. Care will be taken in my further research to develop this, here introduced, art-science affinity concept. Extended information on fractals can be found online – here are some of the links: FractalOntologyWikipedia, Chaos Intro, EnchantedMind and many more…


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