Well – he has never taught art to others officially, and has never been taught art by others in such a manner …
And while not being entirely sure, if just because or despite of that – Francis Bacon excels as an art (painting) tutor. I found him so lucidly articulated, so continuously and deeply inspiring in his views on the artistic practice that I just couldn’t help not to present his ‘tutorials’ in a customized, yet systematic way.
Bacon took with him his mystery of how to talk about highly complex and irrational matters in an analytical and engaging manner. And this very ability of his redeems his work, which could otherwise be easily classified as a tormented expression of an idiot-savant. Being himself deeply anti-theoretical he offers an impressive theory of his own oeuvre. With a certain force of authority, though never deliberately, he shows that an artist’s journey is (should be) a continuous interplay between both challenges: ‘making images’ and making sense of them…
All points below are taken from interviews Bacon gave to D. Sylvester and while taking part in a documentary devoted to his work. They are extracts of the artist’s more elaborated statements. To access the original talks get a book and watch the movie (links below).
You have to decide, that you are not going to be afraid of making a fool of yourself.
One needs to find his subject – otherwise one will be tempted to escape into a decoration. Most of the problems of the painting now result from the fact that painters don’t know what to paint – they are short of images.
The better the techniques of recording the reality become – the more inventive the painter needs to be in his ways to lock reality into something completely arbitrary. Going back to figuration in a more accepted sense is weak and meaningless.
The image – its power and integrity matters more than the beauty of paint.
Narration speaks louder than paint – avoid telling stories, unless you want to.
Aim at a highly disciplined work, even though the methods of pursuing it need to be ever- experimental and deeply instinctive. To make an image one has to control it.
Use secondary imaginary as a compost which will breed you images.
Painting (if successful) is a process of unlocking sensations and feelings on as many levels and as acutely as possible.
Painting is a ongoing interplay of luck/hazard, instinct and one’s critical sense.
Your technique needs to be as subjective and unique as your sensibility is.
‘Fresh’ image is the one which has a ‘foam of the unconscious’ still locked around it…
Make your forms memorable – otherwise they will exist only as ‘blobs’ on a wall…
A chance is more important than a conscious intellect because I made images that intellect would never make.
If you going to capture something REALLY REAL – it will be painful…
The most important thing for a painter is – to paint – nothing more…
D. Sylvester, ‘Interviews with Francis Bacon: The Brutality of fact’, Thames and Hudson
Here: preview of a new exhibition of Bacon in Dublin: ‘Terrible Beauty’