Tag Archives: society

Where you can find me (Whilt 19)

Remember this one of my series – Whilt – What Have I learned Today?

Trying to come back to it – little day-to-day discoveries of a starry-eyed kid, which lives in me (despite my daring attempts to evict it) and within all those interesting people I’ve met.

I followed that link – contemplating a personal story of a man close to me I bumped into that movie: “Into the wild” – loyal portrayal of a real drama of Christopher McCandless – a top student from a privileged background, who – bitterly disappointed by vanity and hypocrisy of his parents, by mindless brutality and shallowness of his society drops out of the picture trying to reclaim shattered identity and personal integrity. He does it through an impossibly romantic, extreme means of going into the wild of Alaska, living only from the land-resources and in a total isolation. Being only 24 and after two years of his adventure Chris dies out of starvation in his adopted ‘home’ – a wreck of a green bus. That bus in itself becomes a destination for dozens of McCandless’s followers, his uncompromising choices in life are being interpreted in equally extreme fashion – from glorifying the ‘hero’, who had to paid the highest price for an attempt of a noble self-discovery, to scolding the ‘spoiled, egocentric’ kid.

One of the most poignant discoveries this run-away’s parents had made was, that he didn’t want to be found. One can save someone who is temporarily lost, or help the one, who plays hide-and seek game out of lack of confidence or confusion or pain, but not the one, who makes a conscious decision of ‘disappearing’ from your life. Thinking about that I started to approach this question if I, indeed, want to be ‘found’ in this very wilderness of the Internet reality. Energy and dynamics of the Web-World acts as ever-expanding multiverse – once you lose the track of its actual demands and nature – you share fate of a micro-organism completely lost somewhere in a vast vacuum of a Tropical Forest. And it doesn’t matter, if your performance here is of a poor or great quality; or of any importance to humanity in general… who really bothers after all…

Here are the online services, where you can find me, except of this site (obviously) – join and use the fun of Facebook (my name: Katarzyna Skonieczna), where you can quickly connect with those you know, check the latest ‘what’s up’ with them, compete in various (deliciously childish) games and share your thoughts the moment you think them… Twitter (my name: skonieczna) is another, very immediate and natural way of sharing your online experience, you simply answering the one and only question: “what are you doing?’ – what are you doing right now – share the article, you’ve just read; picture you’ve discovered, new web-site, follow people, who make it all more fascinating and inspiring… There is where you can, if you want to – find me – the moment I will dare to disappear – you will be one of the first to know…

P.S.

Enjoy thoughtful song from ‘Into the wild’ above. Eddie Vedder signs ‘Society’. More about the philosophy behind this movie, which, I believe is worthy to explore – in my next posts

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One particularly high-brow inspiration…

Royal Society (of Science) site is a goldmine of wonder, high-quality information and an inspiration. It’s made and kept going with passion, flair and open-mindedness – it’s inviting and educating to all… as opposed to some of the elitist, obscure sites (also blogs), which tend to draw clear lines between the ‘patrons’ and the ‘folk’…

Here are some of the Society ‘s propositions (present and ongoing) designed with the concern for the general public, to promote the culture of using minds actively and creatively:

Summer Science Exhibition 2009 (30 June – 4 July) – featuring some cutting edge, pioneering research from UK, great opportunity to meet projects and minds behind them.

The New Alchemy: Rutherford and the Atom (1 December 2008 – 26 June 2009) – What is the world made of?
Philosophers and scientists have tried to answer this question for centuries. In 1911 Ernest Rutherford FRS made an important leap forward, unveiling an atomic model in which electrons orbit a central nucleus.
This exhibition celebrates Rutherford’s achievements and traces the history of the atom from the ancient world to the sub-atomic age…

Culture Evolves (28 – 30 June 2010) – The capacity for culture is a product of biological evolution – yet culture itself can also evolve, generating cultural phylogenies. This highly interdisciplinary joint meeting with the British Academy will address new discoveries and controversies illuminating these phenomena, from the roots of culture in the animal kingdom to human, cultural evolutionary trees and the cognitive adaptations shaping our special cultural nature.

One can also listen to talks/discussions/lectures recorded in the recent years and featuring the life -sharing of thoughts/concepts by excellent academics. Here is an example (to make a little self-indulgent remark): Dublin-based psychiatrist – M. Fitzgerald speaks about links between autism and creativity – (talks from September 2008) – and it’s great to sense his personality, wit, and the concern behind his ideas, so well-know from different publications.

Well, one can only admire and be stimulated by that intensely humane spirit of generous sharing and intelligent inclusiveness, continuous striving for a development and excellency, as well as the great sense of the public service. All of these qualities not so often, unfortunately, to be encountered in the art-world today…



Contemporary Art (6) – Jakub Julian Ziolkowski

Untitled , 2007,  oil on canvas,  15.75″ x 12.5″

The Great Battle Under the Table, 2006
Oil on canvas
190 x 165 cm / 74 3/4 x 65 in

ziolk40346

The Garden, 2008
Oil on canvas
105 x 82 cm / 41 3/8 x 32 1/4 in

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Jakub Julian Ziolkowski (b. 1980) – Polish painter, lives and works in Krakow, Poland.

Well, there seems to be a considerable, positive ‘buzz’ around this artist on the international art-scene… A Cinderella story, if one considers a newly graduated painter from a (still) ‘provincial’ Eastern Europe (Ziolkowski graduated from “Jan Matejko Academy of Art” in Krakow in 2005) having a successful, acclaimed exhibition in the Hauser and Wirth in London. At the moment, one can find his paintings  among others in the NEW MUSEUM – NY, at the prestigious “The Generational: Younger than Jesus” exhibition – a visionary event aiming at promoting the youngest, promising artists from around the world. And Jerry Saltz writes about them in the ‘New York – Art Magazine’: Jakub Julian Ziolkowski’s paintings aren’t about academic ideas of formalism, happy doodling, or mannered figuration; they’re visionary Bosch-meets-Ensor. (click on the link to read the entire review).

Not too bad at all as for an emerging artist…

Personally, what I find especially compelling about Ziolkowski’s work, is … its perverse realism...

“Realism?!” – I can hear you doubting – Call it sur-, call it magical -, call it dada-, but not just ‘realism’, for Christ’s sake ...

Well, they are realistic paintings – I can guess so, seeing this particular painter as my never-met mate from the same yard. We share our generation, our actual and, in parts – spiritual landscape – being born and brought up in one culture at the same time… Our education belonged to one of the most classical in Europe (in the world?), we had been taught, with the utmost solemnity,  that Greek/Roman mythology, classical philosophy, together with The Bible are totally responsible for how we think and perceive reality and ourselves.

So, reality is anything but a plaything to be messed with, reality is the residence of gods’ and humans’ stories – it exists to be reported, to be told, not to be ignored or subverted for the rebellion’s own sake… We may be tempted, of course, to turn our backs on it, to exorcise it from all the evil, cruelty and confusion so deeply ingrained into its tissue. We are the Polish X-generation from 90s, 00s – born out of oppressed parents (due to the Communists’ rule) into a world that could hardly offer us anything, except a perpetual struggle for survival –  to a country being itself  a huge mess due to a political, economic and cultural transformation… Hundreds of thousands if not millions of us from this very generation, from highly educated to those ‘just’ ‘resourceful’ ones, had left their homes as soon as the borders of Europe had been finally opened… And crossing the borders, alike staying behind on a land being slowly deserted by familiar faces and ideas – that makes one a realist – no matter what – a realist in a deep conflict with reality…

And there are hints of those intimate wars being fought in Ziolkowski’s paintings – battles between a duty to tell the ‘gods and humans’ stories as they are, and the perversion of imagination, troubled by the insecure, heartless world around.  Battles are fought under a table, while a huge spider-web covers after-Van Gogh’s-like wheat-field (Untitled, above) … well,  it didn’t surprise me when I read a reputable Polish author (of the older generation) commenting on Ziolkowski’s ‘dreamy hallucinations’ and his ‘private worlds of phobias’… Traditionalists would never accept Francis Bacon’s concept of the ‘concentrated reality’ –  being conveyed not merely as an illustration but an extract of it – presenting itself so intensely real that… mesmerizingly or shockingly unreal…

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